Review of The Gypsy Model for Amazon.

I love it. Well, I would, wouldn’t I, since I wrote it. Amazon invited me to review it though, probably because I bought a copy when it came out on Kindle, to see how the illustrations by my daughter and my grand-daughter had come out. I have to say, I was delighted. In modesty, I can only leave my readers to draw their own conclusions about the 19C of the Pre-Raphaelites that I tried to convey. Whatever the the limitations of the finished work, it was for me a true labour of love. The three years from conception to publication took me on an odyssey into my family’s history. It took me back to gypsy roots which seemed to touch the world of that Brotherhood of artists, their stunning models and their eccentric literary friends. My researches took me on a journey round the art galleries of the UK, from Bristol, to Birmingham to Liverpool, Port Sunlight and, of course, to Frederick Sandys’s native Norwich.

The Pre-Raphaelites, and particularly Frederick Sandys, came alive for me through their pictures., I came to believe that, in his painting, ‘Fred Sands’ expressed a growing obsession with his gypsy model. In the end though, it was a Burne-Jones masterpiece ‘The Beguiling of Merlin’ that encapsulated the sort of hopeless spell she cast over him.

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